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48 F. Reading: Civil Liberties in the Information Age (27/59) -- American Government

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48 F. Reading: Civil Liberties in the Information Age

48 F. Reading: Civil Liberties in the Information Age Learning Objectives After reading this section, you should be able to answer the following questions: - Which civil liberty is vital to media operations and why? - Why are civil liberties vulnerable to media frames? - Why is the media’s depiction of civil liberties ambivalent? “Liberty” is a word with special resonance in the United States. It is hailed in the Pledge of Allegiance. It is featured in the lyrics of patriotic songs. It is emblazoned on coins. The Liberty Bell and the Statue of Liberty are among the most central symbols of the promise of the United States. News and entertainment often pay homage to the value of civil liberties. Indeed, the media, like the American people as a whole, are strongly committed in principle to civil liberties, especially when presented as elements of the hallowed Bill of Rights. Yet, the media often slight, even undermine, specific civil liberties. Media Interactions Media personnel find civil liberties to be a vital topic because they hold fast to freedom of expression as a crucial protection to perform their jobs. Also, the frame of the virtuous individual standing up for beloved principles against the government is easily presentable as a defense of civil liberties. The rights of the accused are the kernel of many a media story. For instance, dramas from the vantage point of a person wrongly accused by officials of a crime are perennial favorites in films and television. The television drama Perry Mason compiled 271 episodes from 1957 to 1966, and they are endlessly rerun. Each episode is similar: the brilliant lawyer Perry Mason defends his client in court against a rush to judgment by the district attorney and police and, in a climactic cross-examination, unveils the true guilty party. Nowadays, the media feature crime control. Witness the television show Law and Order and its various spin-offs: these shows are presented from the perspectives of police and prosecutors, not civil liberties. Or consider crime in the news: its good-guys-versus-bad-guys dynamic makes it easy to tell and enables the news to crank out accounts of crime on a day-in-day-out (or hour-in-hour-out) basis. These stories are reported almost entirely from sources in police stations and courts. Crime-beat reporters call up police spokespersons every day and ask, “What have you got?” Police officers are happy to direct reporters to newsworthy events and quick, reliable information. By one estimate, newspapers report nine crime stories a day; local television news includes four a day. Because reporters rely so heavily on police for information, police misconduct, including violations of civil liberties, usually get scant attention.[1] Similarly, war or other national security crises rarely invite critical media coverage, particularly in the early phases when the media act within a sphere of consensus: a general agreement about the causes of and how to respond to a crisis. The media
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