June 2, 1970: Café La Mama
June 4, 1970: Chekhov, The Seagull
May 7, 1972: Polanski, Macbeth
June 2, 1972: de Sica, The Garden of the Finzi-Continis
January 3 1976: Pinter, No Man’s Land
January 13, 1976: Ayckbourn, The Norman Conquests
January 6, 1986: Gems, Camille
January 7, 1986: Harwood, Interpreters
January 9, 1986: Shaw, Mrs Warren’s Profession
January 16, 1986: Ayckbourn, A Chorus of Disapproval
January 12, 1998: Rostand, Cyrano de Bergerac
January 14, 1998: Whitemore, A Letter of Resignation
January 15, 1998: Hare, Amy’s View
January 17, 1998: Pinero, The Magistrate
January 17, 1998: Shakespeare, Cymbeline
January 19, 1998: Ibsen, An Enemy of the People
January 21, 1998: Albee, A Delicate Balance
January 22, 1998: Mysteries
January 23, 1998: Shakespeare, Merry Wives of Windsor
January 24, 1998: Gogol, The Government Inspector
January 26, 1998: McGuinness, Mutabilitie
January 29, 1998: Shakespeare, Hamlet
January 31, 1998: Ravenhill, Shopping and Fucking
February 5, 1998: Bulgakov, Flight
April 18, 2000: Shakespeare, The Merchant of Venice
April 19, 2000: Strindberg, Miss Julie
April 20, 2000: Pinter, Celebration and The Room
April 21, 2000: Shakespeare, King Richard II
April 22, 2000: Chekhov, The Seagull
April 25, 2000: Mitchell, The Force of Change
April 26, 2000: Labiche, Threesome
April 27, 2000: Frayne, Copenhagen
March 15, 2001: Shaw, Back to Methuselah
March 16, 2001: Euripides, Medea
March 17, 2001: Synge, Playboy of the Western World
March 18, 2001: Wedekind, Lulu
March 21, 2001: Chekhov, The Cherry Orchard
March 22, 2001: Coward, Fallen Angels
March 22, 2001: Orton, Entertaining Mr Sloan
March 23, 2001: Pinter, Remembrance of Things Past
January 9, 2002: Pinter, No Man’s Land
January 9, 2002: Nichols, A Day in the Death of Joe Egg
January 12, 2002: Priestley, Dangerous Corner
January 15, 2002: McDonough, The Lieutenant of Inishmore
January 8, 2003: Hampton, The Talking Cure
January 9, 2003: Goldsmith, She Stoops to Conquer and January 10, 2003: De Angel
January 13, 2003: Shakespeare, Edward III
January 16, 2003: Wilson, King Hedley II
January 18, 2003: Havel, The Beggar’s Opera
January 19, 2003: Synge, In the Shadow of the Glen and The Tinker’s Wedding
January 21, 2003: Rushdie, Reade, and Supple, Midnight’s Children
January 22, 2003: Hare, The Breath of Life
January 23, 2003: Shakespeare, The Tempest
January 24, 2003: Webster, The Duchess of Malfi
January 25, 2003: Jonson, Marston, and Chapman, Eastward Ho!
January 25, 2003: Gilbert and Sullivan, H. M. S. Pinafore
January 6, 2004: O’Neill, Mourning Becomes Electra
January 7, 2004: Pinter, Betrayal
January 8, 2004: Beckett, Happy Days
January 9, 2004: Hampton, Les Liaisons Dangereuses
January 10, 2004: Poliakoff, Sweet Panic
January 10, 2004: Wilde, A Woman of No Importance
January 14, 2004: Gilbert and Sullivan, The Pirates of Penzance
January 15, 2004: Stoppard, Jumpers
January 22, 2004: Offenbach, Les Contes d’Hoffmann
January 25, 2004: Retrospective: Albee, The Goat and Other Plays
January 11, 2005: Wasserman, One Flew Over the Cuckoo’s Nest
January 13, 2005: Erdman, The Mandate
January 14, 2005: Shakespeare, King Lear
January 15, 2005: Carr, By the Bog of Cats
January 20, 2005: Puccini, Turandot
January 21, 2005: Gilbert and Sullivan, The Pirates of Penzance
March 7, 2006: Shaw, You Never Can Tell
March 8, 2006: Kaufman and Hart, Once in a Lifetime
March 11, 2006: Williams, Period of Adjustment
March 13, 2006: Harrower, Blackbird
March 15, 2006: Hampton, Embers
March 17, 2006: Murray-Smith, Honour
March 25, 2006: Shakespeare, As You Like It
March 27, 2006: Bennett, The Old Country
April 1, 2006: Miller, The Crucible
April 1, 2006: Offenbach, La Belle Hélène
November 29, 2007: Euripides, Women of Troy
December 3, 2007: Frisch, The Arsonists
December 6, 2007: Britten, The Turn of the Screw
October 1, 2009: Shakespeare, All’s Well that Ends Well
A Season in London, 2011
June 30, 2011: Chekhov, The Cherry Orchard
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January 13, 1976: Ayckbourn, The Norman Conquests
January 13, 1976: Ayckbourn, The Norman Conquests
Apollo Theatre
I saw the middle play, Living Together, of Alan Ayckbourn’s interlocking trilogy The Norman Conquests. Each scene of the play comes after a previous scene in the dining room, dramatized in the play called Table Manners, and is followed by a corresponding scene in the garden in Round and Round the Garden. For repeat audiences it is undoubtedly an experience of cleverness to see how the plays interlock. For a single playgoer the experience has to be self-sustaining.
It is largely that, thanks to Ayckbourn’s skill dramatizing the homegrown or mildly crucial affairs of a group of six persons, three male, three female, all related in one way or another. To be precise, the author’s talent seems to be to find comedy of character in commonplace situations familiar to middle-class audiences, but also to find the harsh edge of that comedy that often comes out as almost raw nastiness. The acting is very good, although at times there are gags reminiscent of TV situation comedy, on about the level of the Bob Newhart show. I don’t on the whole feel impelled to go back for the other two plays.