Spatial Humanities and Digital Storytelling: Critical Historical Approaches
About This Book
Introduction “Maps are neither mirrors of nature nor neutral transmitters of universal truths. They are narratives with a purpose, stories with an agenda. They contain silences as well as articulations, secrets as well as knowledge, lies as well as truth.” -John Rennie Short (The World Through Maps: A History of Cartography, p. 24) “Maps, in their most traditional sense as a representation of authority, have incredible power and have been essential to colonial and imperial projects.” -Mishuana G
| Category | general |
|---|---|
| Subject | N/A |
| Year | 2023 |
| Authors | |
| Chapters | 31 |
| Word Count | |
| Price | |
| License | Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/ |
Chapters
- Reading and links
- Exercise, Pt. 1: Mental Mapping
- Works Cited and Further Reading
- Introduction
- Readings and Links
- The Digital Turn(s)
- Works Cited and Further Reading
- What is Digital History?
- Historical Research and Storytelling Through “GLAMs”
- Required Readings and Links
- Reimagining Archival Spaces
- Managing and Using Digital Spatial Archives
- Works Cited and Further Reading
- Required Readings and Links
- The History and Definition of GIS
- Interdisciplinarity and Collaboration in the Spatial Humanities
- HGIS as a Tool for Studying and Doing Interdisciplinary Research on Past Environ
- Conclusion: Critical Considerations for Interdisciplinary Collaboration
- Works Cited and Further Reading
- Creative Geovisualization
- Geospatial Art-Creation in Multi-Sensory and Digital Worlds
- Introduction
- Readings and Links
- Counter-Mapping
- Language and Cultural Revitalization
- Counter-Mapping: Concerns and Critiques
- Works Cited and Further Readings
- Reparatory History
- Webs of Care
- Works Cited and Further Reading
- Lab 5 – Spatial Storytelling for the Digital Humanities: Capstone Project