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Bibliography Almagor, Eran & Lisa Maurice. The Reception of Ancient Virtues and Vices in Modern Popular Culture. Brill, 2017. Apostol, Ricardo & Anastasia Bakogiani, eds. Locating Classical Receptions on Screen. Palgrave Macmillan, 2018. Bakkogianni, Anastasia. “The Ancient World is Part of Us: Classical Tragedy in Modern Film and Television.” A Companion to Ancient Greece and Rome on Screen. Ed. Arthur J. Pomeroy. Blackwell, 2017, pp.467-490. Bakogianni, Anastasia & Ricardo Apostol. “Introduction: Face to Face—Locating Classical Receptions on Screen.” In Apostol & Bakigianni 2018, pp.1-16. Baudrillard, Jean. The System of Objects. Verso, 1996. Beigel, Thorsten. “With Your Shield or On It: The Gender of Heroism in Zack Snyder’s 300 and Rudoph Mat’s The 300 Spartans.” In Renger & Solomon, 2003, pp. 65-78. Berman, Marshall. All That is Solid Melts Into Air: The Experience of Modernity. Verso, 1982. Berti, Irene, Maria G Castello and Carla Scilabra, eds. Ancient Violence in the Modern Imagination: The Fear and the Fury. Bloomsbury, 2020. Blanshard, Alastair J.L. and Kim Shahabudin. Classics on Screen: Ancient Greece and Rome on Film. Bloomsbury, 2011. Bratton, Jacqui. New Readings in Theatre History. Cambridge University Press, 2003. Budelmann, Felix and Johannes Haubold. “Reception and Tradition.” In Hardwick & Stray 2011, 13-25. Cantabrana, Oskar Aguado. “Screening the Face of Roman Battle: Violence Through the Eyes of Soldiers in Film.” in Berti et al, 2020, pp.43-56. Cyrino, Monica. “Premium Cable Television.” In Pomeroy 2017, pp.293-305. Debord, Guy. The Society of the Spectacle. Editions Buchet-Chastel, 1967. Diamond, Ellen. “Modern Drama / Modernity’s Drama”, in Knowles, Tompkins & Worthen 2003, pp.1-14. Fairey, Emily. “Persians in Frank Miller’s 300 & Greek Vase Paintings.” Kovacs & Marshall, 2011, pp.158-72. Fischer-Lichte, Erika, “Performance as Event: Reception as Transformation.” In Hall & Harrop 2010, pp.29-42. Foucault, Michel. “The Subject and Power.” Michel Foucault: Beyond Structuralism and Hermeneutics. 2nd edition. Ed. Hubert L. Dreyfus and Paul Rabinow. Chicago: University of Chicago Press, 1982. Gamel, Mary-Kay, “Revising ‘Authenticity’ in Staging Ancient Mediterranean Drama.” In Hall & Harrop 2010, pp.153-70. Goldhill, Simon. Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Formation of Modernity. Princeton University Press, 2011. Goodall, Peter. High Culture, Popular Culture: The Long Debate. Allen & Unwin, 1995. Guttmann, Allen. Games and Empires. Columbia University Press, 1994. Habermas, Jurgen. “Modernity – An Incomplete Project”, in Foster, Hal, ed. The Anti-Aesthetic – Essays on Postmodern Culture. The New Press, 1998, pp.1-15. Hagerman, C.A. Britain’s Imperial Muse: The Classics, Imperialism, and the Indian Empire, 1784–1914. Palgrave Macmillan, 2013. Hall, Edith & Stephe Harrop, eds. Theorizing Performance: Greek Drama, Cultural History and Critical Practice. London: Duckworth, 2010. Hall, Edith
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