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108 Reading: Painting (67/65) -- Art Appreciation

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108 Reading: Painting

108 Reading: Painting Painting is the application of pigments to a support surface that establishes an image, design or decoration. In art the term “painting” describes both the act and the result. Most painting is created with pigment in liquid form and applied with a brush. Exceptions to this are found in Navajo sand painting and Tibetan mandala painting, where powdered pigments are used. Painting as a medium has survived for thousands of years and is, along with drawing and sculpture, one of the oldest creative media. It’s used in some form by cultures around the world. Three of the most recognizable images in Western art history are paintings: Leonardo da Vinci’s Mona Lisa, Edvard Munch’s The Scream and Vincent van Gogh’s The Starry Night. These three art works are examples of how painting can go beyond a simple mimetic function, that is, to only imitate what is seen. The power in great painting is that it transcends perceptions to reflect emotional, psychological, even spiritual levels of the human condition. Painting media are extremely versatile because they can be applied to many different surfaces (called supports) including paper, wood, canvas, plaster, clay, lacquer and concrete. Because paint is usually applied in a liquid or semi-liquid state it has the ability to soak into porous support material, which can, over time, weaken and damage the it. To prevent this a support is usually first covered with a ground, a mixture of binder and chalk that, when dry, creates a non-porous layer between the support and the painted surface. A typical ground is gesso. There are six major painting media, each with specific individual characteristics: - Encaustic - Tempera - Fresco - Oil - Acrylic - Watercolor All of them use the following three basic ingredients: - Pigment - Binder - Solvent Pigments are granular solids incorporated into the paint to contribute color. The binder, commonly referred to as the vehicle, is the actual film-forming component of paint. The binder holds the pigment in solution until it’s ready to be dispersed onto the surface. The solvent controls the flow and application of the paint. It’s mixed into the paint, usually with a brush, to dilute it to the proper viscosity, or thickness, before it’s applied to the surface. Once the solvent has evaporated from the surface the remaining paint is fixed there. Solvents range from water to oil-based products like linseed oil and mineral spirits. Let’s look at each of the six main painting media: 1. Encaustic paint mixes dry pigment with a heated beeswax binder. The mixture is then brushed or spread across a support surface. Reheating allows for longer manipulation of the paint. Encaustic dates back to the first century C.E. and was used extensively in funerary mummy portraits from Fayum in Egypt. The characteristics of encaustic painting include strong, resonant colors and extremely durable paintings. Because of the beeswax binder, when encaustic cools it forms a tough skin on the s
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