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113 Reading: Methods (71/65) -- Art Appreciation

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113 Reading: Methods

113 Reading: Methods 1. Carving uses the subtractive process to cut away areas from a larger mass, and is the oldest method used for three-dimensional work. Traditionally stone and wood were the most common materials because they were readily available and extremely durable. Contemporary materials include foam, plastics and glass. Using chisels and other sharp tools, artists carve away material until the ultimate form of the work is achieved. A beautiful example of the carving process is seen in the Water and Moon Bodhisattva from tenth-century China. The Bodhisattva, a Buddhist figure who has attained enlightenment but decides to stay on earth to teach others, is exquisitely carved and painted. The figure is almost eight feet high, seated in an elegant pose on a lotus bloom, relaxed, staring straight ahead with a calm, benevolent look. The extended right arm and raised knee create a stable triangular composition. The sculptor carves the left arm to simulate muscle tension inherent when it supports the weight of the body. In another example, you can see the high degree of relief carved from an original cedar wood block in the Earthquake Mask from the Pacific Northwest Coast Kwakwaka’ wakw culture. It’s extraordinary for masks to personify a natural event. This and other mythic figure masks are used in ritual and ceremony dances. The broad areas of paint give a heightened sense of character to this mask. Wood sculptures by contemporary artist Ursula von Rydingsvard are carved, glued and even burned. Many are massive, rough vessel forms that carry the visual evidence of their creation. Michelangelo’s masterpiece statue of David from 1501 is carved and sanded to an idealized form that the artist releases from the massive block, a testament to human aesthetic brilliance. 2. Casting: The additive method of casting has been in use for more than five thousand years. It’s a manufacturing process by which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. One traditional method of bronze casting frequently used today is the lost wax process. Casting materials are usually metals but can be various cold-setting materials that cure after mixing two or more components together; examples are epoxy, concrete, plaster, and clay. Casting is most often used for making complex shapes that would be otherwise difficult or uneconomical to make by other methods. It’s a labor-intensive process that allows for the creation of multiples from an original object (similar to the medium of printmaking), each of which is extremely durable and exactly like its predecessor. A mold is usually destroyed after the desired number of castings has been made. Traditionally, bronze statues were placed atop pedestals to signify the importance of the figure depicted. A statue of William Seward (below), the U. S. Secretary of State under Abraham Lincoln and who negotiated the purchase of the Alaska territories
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