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82 The Going (52/91) -- English Literature: Victorians and Moder...

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82 The Going

82 The Going Thomas Hardy Why did you give no hint that night That quickly after the morrow’s dawn, And calmly, as if indifferent quite, You[1] would close your term here, up and be gone Where I could not follow With wing of swallow To gain one glimpse of you ever anon! Never to bid good-bye Or lip me the softest call, Or utter a wish for a word, while I Saw morning harden upon the wall, Unmoved, unknowing That your great going Had place that moment, and altered all. Why do you make me leave the house And think for a breath it is you I see At the end of the alley of bending boughs Where so often at dusk you used to be; Till in darkening dankness The yawning blankness Of the perspective sickens me! You were she who abode By those red-veined rocks far West, You were the swan-necked one who rode Along the beetling Beeny Crest[2], And, reining nigh me, Would muse and eye me, While Life unrolled us its very best. Why, then, latterly did we not speak, Did we not think of those days long dead, And ere your vanishing strive to seek That time’s renewal? We might have said, “In this bright spring weather We’ll visit together Those places that once we visited.” Well, well! All’s past amend, Unchangeable. It must go. I seem but a dead man held on end To sink down soon. . . . O you could not know That such swift fleeing No soul foreseeing— Not even I—would undo me so! — 1912 - Hardy’s first wife, Emma. They married in 1874, and she died in 1912. ↵ - A cliff on the sea coast of northern Cornwall near the village where Hardy first met and began courting Emma Gifford. Hardy’s biographer notes that Emma was a fine horsewoman, who enjoyed “galloping over the hills on her beloved mare...bright hair streaming” (Halliday, p. 56). ↵
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